Movie Reviews and Celebrity interviews

A business course on cutthroat capitalism disguised as a slacker comedy: That’s the kindest way to describe Michael Lehmann’s “Flakes,” a movie that shares the smug, hipper-than-thou sensibility of its sour protagonist, Neal Downs (Aaron Stanford).

An aspiring rock musician who manages a New Orleans eatery where the only bill of fare is breakfast cereal, Neal is a reflexively sarcastic deadbeat whose equally sour girlfriend, Pussy Katz (Zooey Deschanel), shares his bohemian dream of traveling the country in an Airstream trailer, making music and art.

The walls of the restaurant, called Flakes, are lined with cereal boxes, including rare discontinued brands. As customers slop up exotic combinations, the movie suggests a deadpan spoof of gourmet fetishism. One house specialty — chocolate-flavored grains steeped in chocolate milk — sounds particularly nauseating.

Owned by Willie (Christopher Lloyd), a decrepit hippie geezer with mad-scientist hair, Flakes limps along as a hangout for deadbeats until a bright-eyed yuppie visitor, Stuart (Keir O’Donnell), proposes turning it into a lucrative franchise. When Willie and Neal express no interest, Stuart establishes a rival Flakes across the street, and the New Orleans cereal wars begin.

Hoping to put Stuart out of business, Neal begins playing dirty tricks, the nastiest of which is the distribution of fliers to the homeless promising 10 free bowls per customer at his rival’s establishment. The prank sets off a near-riot that Stuart skillfully turns to his advantage.

Neal’s new live-in relationship with Pussy begins to curdle when she turns traitor and goes to work for the competition, hoping that the demise of the original Flakes will leave Neal with time to finish his CD. If the name of his band, Cereal Killers, is perfectly chosen, its music is a joke.

Once lawyers become involved in the dispute, the movie’s anti-establishment attitude evaporates, as does the teeny bit of levity “Flakes” has generated.

FLAKES
Opens on Wednesday in Manhattan; also on Video on Demand.
Directed by Michael Lehmann; written by Chris Poche and Karey Kirkpatrick; director of photography, Nancy Schreiber; edited by Nicholas C. Smith; music by Jason Derlatka and Jon Ehrlich; produced by Gary Winick and Jake Abraham; released by IFC First Take. At the IFC Center, 323 Avenue of the Americas, at Third Street, Greenwich Village. Running time: 1 hour 24 minutes. This film is not rated.

WITH: Aaron Stanford (Neal Downs), Zooey Deschanel (Miss Pussy Katz), Christopher Lloyd (Willie), Frank Wood (Bruce), Ryan Donowho (Skinny Larry), Izabella Miko (Strawberry) and Keir O’Donnell (Stuart).

Anna is working as an art teacher in the city, however she fails in the big city, and is given a job to teach a young girl by the name of Flora. In the movie though it appeared that Anna played the role of the nanny and the art teacher. I’m not really sure, it was too boring to figure it out fully, and too lame to want to rewind to get all of the answers.

In A Dark Place seemed like an interesting movie, solely because I based it on the DVD’s box cover. It looked like a gruesome horror movie surrounding children. Usually there is nothing creepier than evil kids.

Once I popped the movie in though, In A Dark Place, just dragged on and on, and nothing made much sense.

In the beginning Anna begins to sense that their is something deeply wrong with Flora. Only I never sensed it, or were given any examples of why she was labeled a disturbed child by Anna. So the kid doesn’t think finger paint is lady like. What’s so wrong about that?

Shortly after establishing a relationship with Flora, Anna gets a letter from some private school that Miles (Flora’s brother) is expelled from the school. When Anna goes to pick him up, she asks why he is expelled, but is not given a reason.

As a viewer you assume the reasons will be brought out to the table later on in the movie…only…the reason is never brought out.

After the children are together, I began to wonder if Miles was the evil one, he seemed to glitch in and out of a good kid, and into an evil kid. Only you just couldn’t be sure. I was left scratching my head most of the time.

By the middle of the flick, Anna then begins to have mental break downs where she thinks she is seeing ghosts of dead people who once lived in the house. Just when the movie began to get interestingly confusing, Anna goes and has a lesbian encounter with some weird broad who lives in the house. I was thrown off track. What the hell is going on?

The kids are evil? Miles is evil? The lady who sucks boobies is whack? Anna is a freak?

The movie progressed, and Anna gets more wacky, so much that you are not sure what the hell is going on. Is she the evil one?